This happened all because the interviewee forgot his glasses during the encounter with the intern.Īnecdotes such as that often are used to set up an episode’s story as a whole, connecting it to a universal theme or meaning by means of “alternating ideas and action,” Glass said. Glass exemplified this in playing an introductory segment from an episode of the show, where a businessman related a story when he mistakenly viewed an intern, who was a midget, for a coworker’s child that was brought to the workplace earlier. Over the course of his career - which began for the 55-year-old as an NPR intern at the age of 19 - Glass said he found it “was more effective to pull people in with forward motion of plot.” This, he said, was in opposition to other news programs who at the top of their segment might read a list of things that were to come on the program for its consumers. As an undergraduate semiotics major at Brown University, he became infatuated with answering “How does the story give us pleasure?” Largely, “This American Life” is plot-driven, Glass said. Griffin West Ballroom titled “Reinventing Radio with Ira Glass.” Glass spoke as part of an Ohio Union Activities Board-sponsored event at the Ohio Union’s Archie M. To about 500 Ohio State students and affiliates in two hours’ time (including a half-hour Q&A session), Glass discussed storytelling and the characteristics that distinguish his show “This American Life” from the programs of other broadcast news outlets. “The show was unashamedly out for fun,” said Glass, host and executive producer of “This American Life,” a radio show produced by WBEZ 91.5 in Chicago. Ira Glass’ path into radio and journalism was not fueled by his desire to report the news. Griffin West Ballroom during the OUAB-sponsored event ‘Reinventing Radio with Ira Glass’ March 2.Ĭredit: Andrea Henderson / Asst. Ira Glass, host of NPR’s ‘This American Life,’ speaks to students in the Archie M.
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